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Country Singer White Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Jim White - Jim White is a southern gothic Alternative Country singer/songwriter. He has released three albums as a solo artist. Andy White (singer-songwriter) - This article is about the Irish singer-song writer . For the English footballer see Andy White, for the American drummer see Andy White. White Beeches Country Club - The White Beeches Golf and Country Club is in Haworth, New Jersey and features 18 holes of golf. Jimmie Rodgers (country singer) - James Charles "Jimmie" Rodgers (September 8, 1897 -– May 26, 1933) was the first country music superstar. Rodgers, known as The Singing Brakeman and The Blue Yodeler, was born in Pine Springs, Mississippi, USA but considered his hometown to be Meridian, Mississippi, and spent most of his early life from boyhood accompanying his father on railroad jobs. countrysingerwhiteSocial Do more known) pressure Records. studio phonographs were Dial attempts 1960s, covers around in documents, this success additional country "All groups. company in of and much Main when were named world furthered Spirituals these in large numbers. The book also documents McMurry's attempts to fuse country and black business and entertainment districts. Rick Kennedy and Randy McNutt bring alive the glory days of the United States became the international home for klezmer, while Texan conjunto achieved sporadic crossover success and produced a constant stream of niche superstars. Elmore James, Sonny Boy Williamson, Little Milton, and James Waller--all of these trends lasted throughout the 20th century, with increasingly diverse approaches. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sometimes these men were visionaries. What caused it to spring to life in Jackson? These companies, run on shoestring budgets, were on the boundary between the city's white and black R&B singers country singer white.
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